The Domestic Goddess* sits down with a tisane and some index cards

[wayfaringwordhack]

I don't know that I deserve to be called a domestic goddess today (even though that is what frigg says I am) because I'm not the one who straightened the house. J did that.

But things I did or participated in:

- went to the farmer's market bright and early
- put S down for a nap (she didn't sleep) and headed to the health food and grocery stores to do the rest of the shopping.
- made cinnamon rolls and shrimp cockails, both completely from scratch
- fished for calamari; caught none
- made supper
- nursed S and put her to bed
- prepared veggies in brine for kimchi
- cut up and salted lemons for preserved lemons
- tidied the kitchen

I'm very ready for bed, but I'm going to relax with a tisane first (homemade, too, but not tonight :P) and try to do some plotting on index cards.  Yesterday, I spent over an hour working on my timeline. No new words on the story, but I am going to count it as a day's work, just like tonight's plotting will count.

This time, I'm going to write the scene goal, conflict, etc (actually going to try the Scene/Sequel thing: Goal --> Conflict --> Disaster -->Reaction --> Dilemma --> Decision).  I know this is a useful approach for writing focused scenes, but every time I think of doing it, I freak out, sure that I'm going to write hackneyed, formulaic stories. Still, it will be a good exercise to make sure I have goals, conflict, etc. I'm not sure my innate sense of "what makes a good chapter" is as honed as I would like for it to be. :P

Does anyone else have success using the above approach, or do you have another way of making sure your story moves forward instead of meandering too much?

__________
* see above comment about this being frigg's term. :P

Comments

[clarentine]

I use a method somewhat similar...but not until after I have written the first draft. *g* And, rather ironically, I realized this morning on the bus, while mulling over the problems I'm having getting started with this novel, that Jody and Martha are essentially reacting to stuff being thrown at them. They do have goals, but not in these scenes. Duh! No wonder they're moving slow as molasses! So now my goal for today's non-writing time (otherwise known as day job desk and transit time) is to work out direct, scene-related goals and plan for tonight's rewrite.

Which is to say, I'm going to try your method and see if I can get it to work.

every time I think of doing it, I freak out, sure that I'm going to write hackneyed, formulaic stories - My fear as well. We shall see.

[mnfaure.livejournal.com]

Part of me wants to get that first draft out and then apply the structuring. However, when I think of juggling multiple meanderings, timelines, meetings, etc. across three books, it hurts my head. Bad.

...Jody and Martha are essentially reacting to stuff being thrown at them. They do have goals, but not in these scenes. Duh! No wonder they're moving slow as molasses!

Yeah, goals are important. I need to find some for my scenes, too. :P