Final Week of Class
17 Feb 2026 07:53 pm



One of the last things I sold:





My daughter (her art is above) fell completely in love with this method of art making, and I think she did such a fabulous job. I can easily see this as a book illustration. Of course she is the oldest by 3.5 years, so I am not comparing her work to her brothers', more commenting on how much she fell in love with the process and result when she never suspected she could like it so much. Similar to the way I feel about pottery after spending decades thinking I couldn't sculpt or make 3D art.

And now my battery is almost dead. Next up, Cubism!





Enjoy a sampling of family fun exploring feathered friends.
Lots of playing with mixed media happening.π One of the most freeing things about this process is learning that I do not have to be married to a decision I make and can always paint over it and try something else.
For example, I painted a bird out of my composition because I wasn't happy with it. I don't like the resulting colors on the background. And that is OK because I can either move on or paint over the background again and then draw or paint another bird.
My daughter is loving the theme and even got bold enough to paint in a background!





This one is from Elder Son who did NOT have to draw himself (I just love the earrings):
Daughter's take on her brother with utensils. Elder Son must be hungry:
Husband's (he used: a skewer, a bottle cork, a pastry brush, a fork, a sponge, and his fingers):
I tried a couple, the first (blue background) was done with a pastry brush, sponge, gloved fingers, and a bamboo skewer. The second was done with a sponge and a plastic fork:
The likeness is not there, but hey, one can't be hard on oneself when painting with a plastic fork.π€£ And that made this a very liberating experience. However, my boy has the most beautiful mouth, and I really hated that I couldn't capture it.
While watching YouTube videos about mark-making, I came across an artist, Sandi Hester, who is really fun and whose work I will watch more as I delve into the illustrative side of what I want to do. The kids are also enjoying her, and Daughter's blue outline came about from a video of Sandi's. We have done many faces since watching that.
(These posts are pretty much copy-pasted from the art forum where I first wrote them)
29 Jan 2024
Two Fridays have come and gone since my last posting about my family's art prompt adventure. It isn't because we haven't been doing it, but because we bit off more than we could chew! The kids drew three prompts: The name of my youngest, one of their uncles, and Claude Monet!
So, two portraits (should you chose to interpret the prompt that way, and most did/do) and the style of one of the fathers of Impressionism. Whom, it turns out, my children did not know much about--no worries, we'll learn like we did with Georgia O'Keeffe--but they didn't even have a good grasp about what Impressionism is. They were discouraged and unhappy with any results they were getting, and this was when I realized just how much art baggage and assorted culture I have picked up over the years. I incorrectly assumed that with a little "YouTube refresher" everyone could be on the same artistic page I was.
So we voted, midweek, to drop Tonton (endearing term for "uncle" in French) from the challenge. That still didn't get us closer to knowing how to approach Impressionism, particularly Monet's style, who, unhelpfully to us, did *not* paint a lot of portraits.
Another vote decided we would extend this challenge for two weeks, and I dug into some fun activities with the kids, geared to get them to loosen up, "dab" the paint, and be conscious of values. That culminated in little copies of Claude Monet's painting "San Giorgio Maggiore at Dusk."
(Monet did this in oils and we worked in watercolor, making it harder to get his "blended dabbing;" but watercolor is definitely faster and easier to work with/clean up after with kiddos!)
They started to have more fun, which is the point of it all, but there are still pockets of resistance in my seven-year-old.π€ͺ
On Friday, I will have portraits or "figures in a landscape" to show for those who are willing to have me share their work.π
I have learned:
- additional things about Impressionism;
- some of the limits of the prompt challenge; but
- how to roll with changes to accommodate the goals of having fun with learning and creativity. The beauty of our learning style is that we are on no one else's timetable but our own. We can slow down or speed ahead as we want.
How did you creatively play this week? Learn anything you'd like to share or make anything you would like to post?
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(Follow-up posted 13 Feb)
I promised follow up on the Monet inspired paintings of my youngest son. I will share mine and then what my youngest son did. Because "self-portrait" is also an upcoming prompt, each person is not obliged to draw/paint themselves when their individual name is picked. So, Youngest Son, not too thrilled by Monet, chose to be inspired by George Meouchy, a Lebanese artist, whose exhibit we visited recently.
Arches Oil Paper, 23x31cm (9x12in)
This was immensely challenging, and I almost threw in the towel multiple times. I painted him a tad thicker than he really is, and trying to get proportions and a believable figure showed me just how much I need to do more work with anatomy. It is frightening and amazing how the smallest of brushstrokes can totally alter something.
And Youngest Son's George Meouchy-inspired rhino, a whopping 50X60cm (20x24) canvas panel, acrylics:
I love how brave he was in going big. Momma needs to take some lessons!





Let's start from the very beginning. I forgot to bring painting clothes on our holiday.* The only thing I don't mind getting paint on--and let's face it, my messy self often gets bedraggled and paint smeared whilst arting so this is a real concern--are my pajama shorts and matching tank top. Because we're staying in a hotel located in the middle of olive groves, I set out nonplussed in my PJs, even though I ran across a farmer yesterday on my morning scouting walk.
I should have, however, taken the time to equip myself with better footwear. In the Lebanese heat, I spend 3/4 of the year in flipflops. But these tall thistles I painted the other day are not the only poky plants around.
Lebanon abounds with flora intent on protecting itself from heat and herbivores. Stepping off the rutted dirt track was an invitation to laceration. On the track were thousands of ants, stocking up on thistle seeds, so I had to be careful of where I set up my easel.
Lebanese hunters like to shoot birds. Small birds. So at the crack of dawn, the first notes of birdsong barely begin when they are overcome by the gung-ho, echoing volley of huntsmen taking down their prey...or at least seeding the countryside with spent ammunition.** Ah, country living.
Wouldn't you know that this morning, when I was out just before dawn, it was overcast? There have not been clouds over the mountains in the east since we arrived. There I was, ready to use the first rays to pick my perfect spot, and not a sunbeam was to be seen. All that effort of early rising and preparation and no light.
Not to be daunted, I put a song on my phone and set up where my photos from the previous day showed would be a likely spot. Not sure anyone else would know this song, but you might like the lyrics. It begins like this:
"Fear Is A Liar" (Zach Williams)
When he told you you're not good enough
When he told you you're not right
When he told you you're not strong enough
To put up a good fight
When he told you you're not worthy
When he told you you're not loved
When he told you you're not beautiful
That you'll never be enough
Fear he is a liar
He will take your breath
Stop you in your steps
Fear he is a liar
He will rob your rest
Steal your happiness
Cast your fear in the fire
Cause fear he is a liar...
So before I could get myself bummed about what might not go right, I gave that song a couple of listens and set to work.
The sun finally did come out; I didn't get shot; I only got bitten by one ant; and I got a painting in before breakfast. Well, almost in. I needed to step away from it and touch up a couple of things afterwards back at the room.
This is the limited color temperature palette of Yellow Ochre, Titanium White, French Ultramarine Blue, and Ivory Black on a repurposed oil painting paper. I think it is A4 (21x27cm) so not very big but big enough for this beginner.
It is muddy. It is begging for color. But it was an exercise in Getting Out There and Getting it Done. It was a challenge in observation and a crash course in What to Paint First. All in all, another fun time with the paint.
I used the remainder of what was on my palette to finish up a palette knife painting I had begun a couple of days before (also trying to use up the paint from scene in the first photo above). I don't know how I feel about palette knife painting (this being my first attempt at a landscape with it), but I do know I should have started with something simpler.
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*For my birthday, we are spending a week in the hills about an hour and half north of Beirut, not too far from sea or mountains. Will share pics later.

